Open Letter to the Humber River
by Lisa Richter
Dear river teach me how to stay float jellied
and slick-limbed through interruptions, teach
me the original names of tadpoles, corrugated rust
flickering elegies, how to bear and bare grief’s
viscous currents, the weight expanding the chest
to make room for salamander feelings, flowering
and blushing reptilian, teach me what moves
with wind as I am lost, am losing whatever battles
time wages in the wake, trapped in the bones
of a body even the flailing stars fail to immortalize
as I am lazy and taskless, stacking endless cardboard
boxes one atop the other in an open-roofed warehouse,
midnight piping fugues through crevices, river show me
your scars, your crushed velvet bruises and buck-
toothed zippers, which if I correctly geolocate
you will entrust me with revealing, if not shadow
me as my feet score your banks, the tracks that form
patterns not even your deities can decipher, too busy
appearing as naiads with algae-clumped hair and pebble-
encrusted lips swimming in your riparian tenements,
clouds forgo their designated stations, backstroking
Olympic-length sky-lanes overhead, is this all part
of what pivots before vanishing, submitting as slide-
decks, silver-toned and -tongued, can there ever be
a future I refuse to imagine, suffering from vertigo
of extinguished fauna and flora’s lament-wracked fire
and amnesiac algorithms, river please
lull me with your warbling alto overtop the growling
jackhammers, ferry me on your back to the caverns
sweating unresolved questions, deeper down tunnels
until finally I reach a room decorated as a mid-century
office, oak paneling rank with peat, moss-green carpeting
spongey underfoot, Old Spice fighting with wet
fur earth-scent, swirled cognac, leather swivelling
chair with its seat still warm and in walks my dead father
and though he cannot recognize me in my new state
as a piece of driftwood, he stoops to pick me up
with both hands and places me on the desk beside him
Lisa Richter is the author of three books of poetry, including Nautilus and Bone, winner of the 2020 National Jewish Book Award for Poetry, and most recently, Sublunary (University of Alberta Press, 2026). Her poems and essays have appeared in Best Canadian Poetry, The Fiddlehead, The Malahat Review, The New Quarterly, and elsewhere. She holds an MFA in Creative Writing from the University of Guelph and is currently serving as the Mabel Pugh Taylor Writer in Residence at McMaster University and the Hamilton Public Library.